Side By Side is, thankfully, not merely a mere account of aesthetic differences between film and digital. Instead, it asks serious questions about what technological change will mean for not only the process of filmmaking but a new rulebook for movies. Engagingly led along by Keanu Reeves, Side By Side lets directors and cinematographers draw battle lines and, occasionally, wade among the No Man's Land between them. Though there are some surprising omissions—it is almost silly to document the way digital is changing movies without talking to Michael Mann, who has done more than anyone in the American mainstream to stake a new digital style—but Side By Side is nevertheless a solid introduction into an issue that should concern, but also excite, cinephiles everywhere.
My full review is up at Spectrum Culture.
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