Not Just Movies

Wes Anderson’s latest, The Grand Budapest Hotel , has bowed to reviews that link the occasionally staggering scale of its production desig...

Incorporating many elements of Wes Anderson's previous films,  Moonrise Kingdom  might be seen, even approvingly, as the director goin...

I loved Jim Jarmusch's divisive (to say the least) post-modern noir when it came out in 2009, and finally watching one of its biggest in...

Trespass (Joel Schumacher, 2011) Having premiered at TIFF in September and come to DVD not two months later, Trespass  couldn't possi...

I Am Love combines beautiful evocations from various media -- art, design, fashion, opera and especially food -- yet it never offers much l...

With the wide release of David Fincher's hotly anticipated The Social Network less than a week away, I decided to go back and watch som...

Allow me to start this review by simply jumping to the lede, if you don't like Jim Jarmusch or have not watched enough of his films to...

The Coen brothers have never been ones to take themselves seriously. The best part of the Oscars last year was seeing the uncomfortable look...

It's a testament to Tony Gilroy's writing that he manages to pull Michael Clayton above the clouds despite some questionable choice...