I got an early surprise this year with a festival holdover from Sheldon Candis, the remarkable, intimate drama Luv. Tracking a prepubescent boy's harrowing journey of maturation, Luv announces itself quickly by dissipating a magic realist opening for the hard realities of Baltimore, and from there he crafts an affecting look at how violence traps men (in this case, specifically African-American men) in a perpetual drive to prove one's masculinity. As I say in my full review, you could almost run it with Cronenberg's A History of Violence.
My full piece is up now at Spectrum Culture.
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