Tim and Eric's Billion Dollar Movie (Tim Heidecker and Eric Wareheim, 2012)
Anticipating the ire of their many detractors, Tim Heidecker and Eric Wareheim build their feature-length Billion Dollar Movie on a joke that plays on them inexplicably receiving money from major corporate interests to do their thing in the mainstream. The creative duo's audacity has often eclipsed the actual content of their 11-minute episodes on Adult Swim, making the prospect of a 95-minute feature daunting. Surprise, surprise, this is amazingly focused, with something approaching a plot and everything. Because a relatively stable foundation grounds the film, Tim and Eric's usual diversions manage to pack more punch for letting the nuances of their weirdness shine through. Every technical hiccup, awkward insert shot and flat line of dialogue delivered just a second too late creates a sense of discomfort like a low-frequency sound. I cannot explain why I find that effect hilarious, but then, the sight of John C. Reilly hacking up a lung as a Dickensian, wolf-raised orphan or Ray Wise presiding over a grotesque sort of body cleanse need no justification. Grade: B-
Personal blog of freelance critic Jake Cole, with exclusive content and links to writing around the Web.
Showing posts with label Eric Wareheim. Show all posts
Showing posts with label Eric Wareheim. Show all posts
Wednesday, November 21, 2012
Thursday, November 15, 2012
The Comedy (Rick Alverson, 2012)
I've been more fascinated than consistently entertained by the likes of Tim Heidecker, Eric Wareheim and Gregg Turkington (a.k.a. Neil Hamburger), yet their performances in The Comedy seem almost a scathing rebuke of their own style even as they push it to new, rewarding limits. Heidecker in particular is incredible as a man who pours a bit of Rupert Pupkin into mumblecore heroes, amplifying that sociopath's incapacity for humor into a disgusting reliance on irony just to interact (and avoid interaction) with others. It is a harrowing film, though it also lives up to its title, wringing pained laughs out of its most nightmarish scenarios. One of my favorites of the year.
My full review is up now at Spectrum Culture.
My full review is up now at Spectrum Culture.
Labels:
2012,
Eric Wareheim,
Rick Alverson,
Tim Heidecker
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